According to Adobe, the keyword of this release is SPEED, and efficiency, which is… also contributes to workflow acceleration. This update includes bug fixes, several new features, and performance improvements. Fixable, but again, you gotta know what to fix.Adobe has released the 2021 version of Premiere Pro, which is version 15. there are a lot more troubles with projects brought forward from 2021 simply because there are enough default changes in the way Pr treats certain media. There were simply a couple small but required steps they didn't know about.Īnd. That supposedly could not work within Premiere no matter what they did.
And I've tested "problematic" clips from quite a few other users. I've not had a single clip that I couldn't quickly and relatively easily get working correctly on both SDR (standard Rec.709) and HDR timelines.
To me it is piecemeal with options spread through too many locations for quick and accurate user workflows. I have a big problem with the implementation. Between so many cameras offering HLG or PQ recording options, which a lot of people are using, and many new phones defaulting to recording in HDR forms, the nature of the incoming media is changing rapidly. They have to do so, and we users will have to adapt to having more options. they are moving the app forward with these color management options. If you do, it works except perhaps for the M1 Macs, there may be a bug there.įAQ: PremierePro 2022 Color Managment for Log/RAW MediaĪnd do understand. If you don't understand and follow several steps, you'll have troubles. In Pr2022 there are several major changes to color management options and to Premiere's default behavior with a number of Sony, Canon, and probably Panasonic Log media formats. I've worked with most of the media users are complaining about.
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